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		<title>AmpliTube iRig &#124; Heavy Tones In A Light Package</title>
		<link>http://diemelproductions.com/blog/2010/07/19/amplitube-irig-heavy-tones-in-a-light-package/</link>
		<comments>http://diemelproductions.com/blog/2010/07/19/amplitube-irig-heavy-tones-in-a-light-package/#comments</comments>
		<pubDate>Tue, 20 Jul 2010 00:37:23 +0000</pubDate>
		<dc:creator>Aaron Diemel</dc:creator>
				<category><![CDATA[Blog]]></category>
		<category><![CDATA[News]]></category>
		<category><![CDATA[guitar]]></category>
		<category><![CDATA[hardware]]></category>
		<category><![CDATA[gear]]></category>

		<guid isPermaLink="false">http://diemelproductions.com/?p=967</guid>
		<description><![CDATA[Complete Interface and Software Solution AmpliTube iRig is a combination of an easy-to-use instrument interface adapter and guitar and bass tone mobile software. With AmpliTube iRig, you can plug your guitar into your iPhone/iPod touch/iPad and jam anywhere with world class guitar and bass tone right in the palm of your hand &#8211; from the [...]]]></description>
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<p>Complete Interface and Software  Solution</p>
<p>AmpliTube iRig is a combination of an easy-to-use instrument  interface adapter and guitar and bass tone mobile software.</p>
<p>With AmpliTube iRig, you can plug your guitar into your  iPhone/iPod touch/iPad and jam anywhere with world class guitar and bass  tone right in the palm of your hand &#8211; from the leader in studio-class  guitar and bass software.</p>
<p>Simply plug the iRig interface into your mobile device, plug  your instrument into the appropriate input jack, plug in your  headphones, amp or powered speakers, download AmpliTube  for iPhone Free  and start rocking!</p>
<p>You’ll have at your fingertips the sound and control of 3  recombinable simultaneous stompbox effects + amplifier + cabinet +  microphone just like a traditional guitar or bass stage rig!</p>
<p>Add amps and effects as you need them — you can expand your  rig with up to 11 stomps, 5 amps, 5 cabinets and 2 microphones in the  AmpliTube iRig app custom shop.</p>
<p><a href="http://www.ikmultimedia.com/irig/features/"><img class="alignnone size-full wp-image-968" title="iRig_image" src="http://diemelproductions.com/wp-content/uploads/iRig_image.jpg" alt="" width="600" height="1516" /></a></p>
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		<title>Digidesign Eleven™ Rack &#124; Revolutionary Guitar Recording/Effects System</title>
		<link>http://diemelproductions.com/blog/2009/09/24/digidesign-eleven-rack/</link>
		<comments>http://diemelproductions.com/blog/2009/09/24/digidesign-eleven-rack/#comments</comments>
		<pubDate>Thu, 24 Sep 2009 07:37:52 +0000</pubDate>
		<dc:creator>Aaron Diemel</dc:creator>
				<category><![CDATA[Blog]]></category>
		<category><![CDATA[Pro Tools]]></category>
		<category><![CDATA[Recording]]></category>
		<category><![CDATA[Software]]></category>
		<category><![CDATA[guitar]]></category>
		<category><![CDATA[hardware]]></category>
		<category><![CDATA[avid]]></category>
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		<category><![CDATA[effects]]></category>
		<category><![CDATA[gear]]></category>
		<category><![CDATA[interface]]></category>
		<category><![CDATA[live]]></category>
		<category><![CDATA[pro tools]]></category>
		<category><![CDATA[processor]]></category>
		<category><![CDATA[reamp]]></category>
		<category><![CDATA[studio]]></category>

		<guid isPermaLink="false">http://diemelproductions.com/?p=481</guid>
		<description><![CDATA[Eleven™ Rack is a revolutionary new guitar recording and effects processing system designed to eliminate the challenges guitarists have faced in the studio and on stage. Say goodbye to the lackluster guitar amp “models” of yesteryear: Eleven Rack utilizes a unique tone cloning design and one-of-a-kind, custom-designed True-Z input to re-create the experience of playing [...]]]></description>
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<p><img class="alignnone" src="http://akmedia.digidesign.com/products/images/elevenRack_fntbk_lg_19728.jpg" alt="" width="565" height="222" /></p>
<p><strong> </strong></p>
<p><code><object classid="clsid:d27cdb6e-ae6d-11cf-96b8-444553540000" width="425" height="344" codebase="http://download.macromedia.com/pub/shockwave/cabs/flash/swflash.cab#version=6,0,40,0"><param name="allowFullScreen" value="true" /><param name="allowScriptAccess" value="always" /><param name="src" value="http://www.youtube.com/v/cA5aEWzggno&amp;rel=0&amp;color1=0xb1b1b1&amp;color2=0xcfcfcf&amp;feature=player_profilepage&amp;fs=1" /><param name="allowfullscreen" value="true" /><embed type="application/x-shockwave-flash" width="425" height="344" src="http://www.youtube.com/v/cA5aEWzggno&amp;rel=0&amp;color1=0xb1b1b1&amp;color2=0xcfcfcf&amp;feature=player_profilepage&amp;fs=1" allowscriptaccess="always" allowfullscreen="true"></embed></object></code></p>
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<p>Eleven™ Rack is a revolutionary new guitar recording and effects processing system designed to eliminate the challenges guitarists have faced in the studio and on stage. Say goodbye to the lackluster guitar amp “models” of yesteryear: Eleven Rack utilizes a unique tone cloning design and one-of-a-kind, custom-designed True-Z input to re-create the experience of playing through a full guitar rig. By combining studio-standard Pro Tools® software with a DSP-accelerated high-resolution interface, Eleven Rack puts professional recording into the hands of every guitar player. Whether you’re tracking in the studio or playing on stage, Eleven Rack delivers fresh, mind-blowing, hyper-realistic guitar amp and effects tones that will inspire your best performances.</p>
<p><strong>Eleven Rack in the Studio</strong><br />
Eleven Rack combines studio-standard Pro Tools software with a high-resolution, dual DSP-powered audio interface so you’ll never have to worry about latency when recording with its built-in amp/effects tones — nor will your computer have to carry the processing burden. Eleven Rack also takes re-amping to the next level by recording both dry and processed guitar signals simultaneously, allowing you to re-amplify later without patching a single cable. <strong>We even found a way to embed the Eleven Rack amp and effects settings into the audio tracks you record, enabling you to automatically recall those settings from your audio files on any Pro Tools system with Eleven Rack.  <span style="color: #ff0000;">THAT IS HOTNESS!</span><br />
</strong></p>
<p><strong>Eleven Rack On Stage</strong><br />
Eleven Rack also rocks onstage as a standalone amp tone and effects signal processor — we pulled out all the stops to make sure it sounds and feels just like playing through the real deal. We also included a classic collection of effects, from must-have stompboxes to world-class rackmount studio processors. Eleven Rack has all the I/O flexibility you need to integrate it into your existing rig, and easily incorporate the tones you’ve recorded with into your live setup — closing the gap between studio and stage. Eleven Rack also offers incredibly powerful control options using affordable MIDI controllers and expression pedals, giving you full foot control over everything from vintage wah effects to tempo-driven delays and more.</p>
<p>Eleven Rack combines hyper-realistic guitar amp and effects tones with a dual-DSP-powered interface and studio-standard Pro Tools LE® software to create the ultimate recording solution for guitar players.</p>
<p><strong>Introducing True-Z</strong><br />
Among guitar tonehounds, it’s a well-known fact that input impedance — the electronic resistance found in the input circuit of the amp or effect you’re plugged in to — has a huge impact on your guitar tone. We realized that re-creating this electronic relationship was critical in nailing the sound and feel of our emulations. Others have tried to fake this with signal processing but we weren’t satisfied with a one-size-fits-all-approach. Each guitar reacts uniquely with each amp or effect — so we had to come up with a true analog solution that allows your guitar to interact realistically with our amp and effect re-creations.</p>
<table border="0" cellspacing="0" cellpadding="0" align="right">
<tbody>
<tr>
<td></td>
<td><img src="http://akmedia.digidesign.com/products/images/true_z_19900.jpg" border="0" alt="" /></td>
</tr>
</tbody>
</table>
<p>That’s why we developed True-Z — a unique analog input circuit that replicates the input impedance of classic stompbox pedals and guitar amps, resulting in amazingly realistic sounds. It’s almost as if the True-Z input on Eleven Rack morphs into the 1/4&#8243; input jack of whatever classic stompbox or amplifier you are using. When you plug into Eleven Rack, you get the same response — and same great tone — as when plugging in to a vintage stompbox or guitar amp. You can also manually control the impedance of the True-Z input and set it to a value that suits your playing best.</p>
<p><strong>Eleven Rack Hardware</strong></p>
<ul>
<li>
<table border="0" cellspacing="0" cellpadding="0" align="right">
<tbody>
<tr>
<td></td>
<td><img src="http://akmedia.digidesign.com/products/images/amps-md_19926.jpg" border="0" alt="" /></td>
</tr>
</tbody>
</table>
<p>Unique True-Z auto-impedance matching guitar input</li>
<li>Incredible emulations of classic guitar amp tones inspired by Fender®, Vox®, Marshall®, Soldano, and Mesa/Boogie® amps*</li>
<li>Refined collection of sought-after classic stompbox tones inspired by effects from MXR®, Electro-Harmonix®, Ibanez®, ProCo, Univox®, and more*</li>
<li>Powerful collection of studio-quality rackmount effects processors</li>
<li>Convolution-based cabinet emulations deliver unprecedented realism in cabinet tones</li>
<li>Convolution-based microphone emulations inspired by classic dynamic, condenser, and ribbon mic designs</li>
<li>Integrated FX loop switchable to incorporate existing mono or stereo rack and stompbox effects</li>
<li>Controllable via MIDI controllers and expression pedals</li>
<li>
<table border="0" cellspacing="0" cellpadding="0" align="right">
<tbody>
<tr>
<td></td>
<td><img src="http://akmedia.digidesign.com/products/images/stomp_box_19890.jpg" border="0" alt="" /></td>
</tr>
</tbody>
</table>
<p>Built-in tuner</li>
<li>Tap-tempo control of time-based effects</li>
<li>High-speed USB 2.0 connection</li>
<li>Supports up to 8 simultaneous channels of high-resolution recording up to 24-bit/96 kHz</li>
<li>Stereo balanced XLR outputs and dedicated 1/4” outputs</li>
<li>XLR mic input with 48V phantom power and pad switch</li>
<li>2 x 1/4” line-level inputs</li>
<li>AES/EBU and S/PDIF digital I/O</li>
<li>Stereo 1/4” headphone jack</li>
<li>1 x 1 MIDI I/O</li>
</ul>
<p>Up until now, amp modeling solutions haven’t really delivered the full depth, dimension, and response of a mic’d up rig. We decided to take this challenge head on to ensure Eleven Rack truly re-creates the experience of playing through the most coveted guitar amps in the world. Check it out:</p>
<p><img class="alignnone" src="http://akmedia.digidesign.com/products/images/guitar_marshall_17_19748.jpg" alt="" width="592" height="411" /></p>
<ul>
<li>We spent years scouting a connoisseur’s collection of vintage and modern amps and cabinets, paying special attention to choosing amps that represented the best of their generation and remained unmodified from their original design. We then painstakingly inspected every component, took detailed measurements, and captured every stage of the signal path — point to point.</li>
<li>We incorporated nuances like power amp sag, ghost notes, and cabinet resonance that other amp modeling developers overlooked, giving our clones the truly multi-dimensional tone and hyper-realistic response previously only achievable by mic’ing a real amp.</li>
<li>We set out to invent an input circuit that re-creates the electronic relationship between your guitar and an actual amp or effect. This can’t be done digitally — so we developed a unique True-Z direct input that automatically adjusts the input impedance to match that of the particular amp/effects rig signal chain. Thanks to the True-Z input, plugging into Eleven Rack sounds and feels just like plugging into a real amp or effect.</li>
<li>Using convolution processing, we captured the exact sound of the cabinets and mics used to create the tone of a mic’d combo — instead of using EQ filters to “fake” this sound the way other amp modeling solutions have done.</li>
<li>We enlisted guitar recording expert John Cuniberti (Platinum and Gold recording engineer/producer and inventor of the Reamp® box) to ensure the mic’ing techniques used during development were absolutely top notch.</li>
<li>We also emulated an assortment of vintage and classic effects processors — from must-have stompbox effects to high-end studio processors culled from our coveted Pro Tools|HD® TDM plug-ins used in pro studios around the world.</li>
</ul>
<table border="0" cellspacing="1" cellpadding="4" width="550">
<tbody>
<tr>
<td colspan="2" valign="top"><strong>Guitar amp emulations based on*:</strong></td>
</tr>
<tr>
<td width="273" valign="top">
<ul>
<li> ’59 Fender® Bassman®</li>
<li> ’59 Fender® Tweed Deluxe</li>
<li> ’64 Fender® Black Face Deluxe Reverb® Normal Channel</li>
<li> ’64 Fender® Black Face Deluxe Reverb® Vibrato Channel</li>
<li> ’66 VOX® AC30 Top Boost</li>
<li> ’67 Fender® Black Face Twin Reverb®</li>
<li> ’69 Marshall® 1959 100 Watt Super Lead Plexiglas Head</li>
<li> ’82 Marshall® JCM800 2203 100-Watt Head</li>
<li> ’85 Mesa/Boogie® Mark IIc+ Drive Channel</li>
</ul>
</td>
<td width="270" valign="top">
<ul>
<li>’89 Soldano SLO100 Super Lead Overdrive Head Clean Channel</li>
<li>’89 Soldano SLO100 Super Lead Overdrive Head Crunch Channel</li>
<li>’89 Soldano SLO100 Super Lead Overdrive Head Overdrive Channel</li>
<li>’92 Mesa/Boogie® Dual Rectifier® Head Vintage Channel</li>
<li>’92 Mesa/Boogie® Dual Rectifier® Head Modern Channel</li>
<li>Digidesign Custom Vintage Crunch</li>
<li>Digidesign Custom Modern Overdrive</li>
</ul>
</td>
</tr>
<tr>
<td colspan="2" valign="top">Speaker cabinet emulations based on*:</td>
</tr>
<tr>
<td width="273" valign="top">
<ul>
<li>’59 Fender® Bassman® 4&#215;10” with Jensen P10Qs</li>
<li>’59 Fender® Tweed Deluxe 1&#215;12” with Jensen P12Q</li>
<li>’64 Fender® Black Face Deluxe Reverb® 1&#215;12” with Jensen P12N</li>
<li>’66 VOX® AC30 2&#215;12” with Celestion Alnico Blues</li>
</ul>
</td>
<td width="270" valign="top">
<ul>
<li>’67 Fender® Black Face Twin Reverb® 2&#215;12” with Jensen C12Ns</li>
<li>’68 Marshall® 1960A with Celestion G12H “Greenbacks”</li>
<li>’06 Marshall® 1960AV 4&#215;12” with Celestion Vintage 30s</li>
</ul>
</td>
</tr>
<tr>
<td colspan="2" valign="top">Microphone emulations based on*:</td>
</tr>
<tr>
<td width="273" valign="top">
<ul>
<li>Shure SM7 Dynamic Microphone</li>
<li>Shure SM57 Unidyne III Dynamic Microphone</li>
<li>Sennheiser MD 409 Dynamic Microphone</li>
<li>Sennheiser MD 421 Dynamic Microphone</li>
</ul>
</td>
<td width="270" valign="top">
<ul>
<li>Neumann U67 Condenser Microphone</li>
<li>Neumann U87 Condenser Microphone</li>
<li>AKG C 414 EB Condenser Microphone</li>
<li>Royer 121 Ribbon Microphone</li>
</ul>
</td>
</tr>
<tr>
<td colspan="2" valign="top">Effects emulations  based on*:</td>
</tr>
<tr>
<td width="273" valign="top">
<ul>
<li>Spring Reverb (based on the Fender® Deluxe Reverb*)</li>
<li>Green JRC Overdrive (based on the Ibanez TS-808*)</li>
<li>Tri-Knob Fuzz (based on the Electro Harmonix Big Muff Pi*)</li>
<li>Black Op Distortion (based on the ProCo Rat*)</li>
<li>Shine Wah (based on the VOX® V-846*)</li>
<li>C1 Chorus/Vibrato (based on the Boss CE-1*)</li>
<li>Orange Phaser (based on the MXR® Phase 90*)</li>
<li>EP Tape Echo (based on the Maestro Echoplex EP-3*)</li>
</ul>
</td>
<td width="270" valign="top">
<ul>
<li>BBD Delay (based on the Electro Harmonix Deluxe Memory Man*)</li>
<li>Grey Compressor (based on the Ross Compressor*)</li>
<li>Vibe Phaser (based on the Univox Uni-Vibe*)</li>
<li>Black Wah (based on the Thomas Organ CB-95 Crybaby*)</li>
<li>Flanger</li>
<li>Roto Speaker</li>
<li>Volume Pedal</li>
<li>Eleven SR (Stereo Reverb)</li>
<li>Graphic EQ</li>
<li>Tuner</li>
</ul>
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